Sally Brownbill

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Archive for Grenville Turner

24/10/2014

ULUrU On a PLate, the round up

– posted by Sally

I am back now from the most amazing trip to the red centre. Sunrises, sunsets, dinner at the rock with champagne, 3 course Mark Olive, aka 'The Black Olive' meals where I tried kangaroo and crocodile !!

An astronomy talk and the opportunity to hook your Canon camera up the to the telescope, now that was amazing.

My husband Martin and I arrived on the night of the blood moon. Whilst we were watching the moon changing we realised our balcony joined up with Wayne Quilliam’s balcony. The 3 of us ended up out there in the warmth of the evening watching and shooting the moon, it was spectacular.

The entire weekend ran like clockwork, from dot painting workshops, traditional dance ceremonies, through to our individual workshops. No time to sleep, there was too much to see.

The workshops we ran for the Voyages, Explore UluruA Mindfood Photography Expedition weekend were terrific. A great group of keen participants came from all over Australia and all the facilitators bought individuality to the table.

Wayne Sorensen, the tech/landscape shooter who is also a graphic designer, Grenville Turner the hugely experienced shooter, once in advertising on the east coast and now resides in Alice Springs, had a wide breadth of knowledge and technical support to share. Wayne Quilliam, an indigenous photographer who knows the people and the area where we were holding the workshops back to front. He was a great icebreaker and was extremely knowledgeable about the culture, not to mention a great photographer and speaker with massive passion for all he shoots.

I decided to take my lomo camera and the iPhone to shed another light on photography…the camera does not maketh the photographer. It was great fun and if you go to my instagram page you can see more of the images I took. I still have to get the film processed so we need to stay tuned for those.

A big thank you to Michael Neylon from Voyages for inviting me to help facilitate the workshops and for putting together such a great team.

It was an incredible weekend and one I will treasure.

Love to do it all again.


Check out how I help individual photographers here

14/7/2014

ULURU ON A PLATE

– posted by Sally

Native Australian ingredients will star on menus at the upcoming Uluru in View: A MiNDFOOD Photography Expedition weekend.
Words by Natasha Dragun

An exclusive photography weekend in the
 spiritual heart of Australia, the Uluru in View: A MiNDFOOD Photography Expedition promises to celebrate one of the world’s most sacred, not to mention stunning, sites.

The weekend (October 10-12, 2014) is set to be an interactive and engaging way to improve your photography skills while developing a deeper appreciation for the drama of the Australian Outback.

The weekend brings together three of Australia’s most noted photographers – Grenville Turner, Wayne Sorensen and Wayne Quilliam – who will host a variety of informative workshops for photographers of varying skill levels, including camera and lighting techniques; post-production techniques; plus portraiture, landscape and food photography.

The weekend will also give guests a taste for native produce, with a number of culinary journeys on offer to highlight the country’s finest fare. Over the course of the event, guests will enjoy Tastes of the Outback: an unforgettable alfresco dining experience with a contemporary bush tucker-inspired menu showcasing regional produce.

Aboriginal chef Mark Olive, aka The Black Olive, will host a culinary masterclass as part of the event.

“I got excited about cooking watching my mum and aunt cook. It was like magic,” Olive says.

INDIGENOUS IDENTITY
Having worked in the industry for more than 35 years, Olive is one of the chefs responsible for demystifying and popularising native Australian ingredients over the years. “When I launched my first restaurant in the mid-90s, people were too scared to try anything. I’d get around that by making menu items look like something they’d eaten before. There’d be filet mignon, but it would be kangaroo fillet. There’d be emu, but I’d sit it on a bed of warrigal greens instead of spinach. Rather than mushroom sauce there’d be a pepperberry sauce. I’d make lasagne with crocodile meat, and I’d add lemon myrtle to the crumbs coating my parmigiana,” he says.

Olive went on to host an indigenous cooking show, The Outback Café, on the ABC and write a cookbook with the same name. “I think it’s only been since then that people have begun to understand indigenous flavours,” says Olive. “The popularity really started to peak five years ago. People are more in tune with trying kangaroo, croc, emu.”

Olive’s Tastes of the Outback dining experience and masterclass during the Uluru in View: A MiNDFOOD Photography Expedition will bring to life exciting indigenous ingredients, such as native basil and thyme, lemon myrtle, river mint, wattle seed, quandong, lemon aspen and muntrie berries.

“We’ve embraced every other food culture in the world except for what’s in our own backyard and we should be proud of it. I’d love to see indigenous food as Australia’s national cuisine; I’d love everyone using our native herbs and spices. We should be pushing our own food in our own country.”

THE FINE ART OF PHOTOGRAPHING FOOD
Working with all kinds of photographers from all sorts of industries for many years has given photographic consultant Sally Brownbill great insight into what makes an image special
– what works and what doesn’t. Brownbill will be one of the experts on hand at the Uluru in View: A MiNDFOOD Photography Expedition. Here, she offers her tips on what makes a good food photo and portfolio and talks to photographer Greg Elms, whom she has worked with on portfolio development over the years.

The Fundamentals: Food photography is one of those areas where there are simple, clear prerequisites to getting good end results. The food has to be appealing; lighting, props and styling are important; and getting the right angle is also a must.

When you are taking food photos, it’s also a good idea to make sure there are a number of different dishes to choose from – try shooting desserts, pastas, meats, condiments and drinks, all at different angles.

Try to tell a story with your photos: when dealing with food photography, there are many elements in play. If you’re shooting at a winery, for example, show the food, but also bring in photos of the grapes, the wine, the people and the terroir.

The Portfolio: When you get to the stage of putting a portfolio of your images together – even if it’s just for friends and family to look at – there are a number of things to consider. If you’re laying out images next to each other, a nice way to display food shots is adjacent to an ingredient: for example, a bowl of pasta next to a bunch of vine-ripened tomatoes.

Alternatively, if you have taken a lot of photos of one thing – say, drinks – then gather them together and build a spread of images. This way, in one spread you offer a great sense of the variety, with lots of colour and contrast. Complementary images such as flowers, kitchen scenes or gardens can also work well with food.

The key to any great portfolio is to have ebbs and flows, while maintaining a story throughout – try to keep the viewer wanting to see more and take them on a journey.

TALKING WITH GREG ELMS
Food photographer Greg Elms shares tips on capturing the perfect shot.

How important is lighting in food photography?
Food is nothing without great lighting. In many respects I shoot the light, not the food. For me, light is as much an ingredient as any element in a recipe photographed. I aim to highlight the sensual qualities of any dish or food element with light that lends a sense of form to the food. Essentially, I’m trying to give the illusion of depth, to insinuate the third dimension in a two-dimensional photograph.

How else do you make food photos look appealing?
Of course, great lighting 
is nothing without great composition. The composition of the food on the plate
 needs to have harmony in lines and forms – to create
 a result that has a visual rhythm, accentuated by well chosen lighting. These days 
I rarely work without a chef 
or cook preparing the food,
 as well as a food stylist with whom I work closely on the propping for each shot and
 on the final composition.


How important is 
social media for food photographers?

I’m a relative latecomer to social media, but Instagram is the perfect way to easily share your favourite images. Of course, you can create a blog or website, but the communal nature and ease of sharing on Instagram provides instant feedback.

Read about the Uluru in View: A MiNDFOOD Photography Expedition weekend here

Follow Greg Elms through Instagram gregelmsphoto

Sally Brownbill

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